This blog has made it possible for me to meet some really great people, especially those working in the world of bondage. Some folks who really share a passion for bondage, and are working in the field making quality work commercially - who would probably still be doing it anyway if there were no money to be made at all. It's in their blood...
One of the strange occurrences is when one of these people actually reach out and contact me. A while ago this happened with Lew Rubens, who if you don't know is an incredibly talented producer of bondage imagery. I had seen his work before and was just blown away by the sheer quality of what he was making. His rigging, his ideas, and the photos he was creating are in the realm of the best work being produced today. He does the technically difficult: suspensions, underwater, complex and beautiful rope ties. His models and setups are sexy as hell too!
So when he contacted me a while back, I knew we had to work together. Add to that he had an idea for a project that
really got me going intersected with my current obsession with armbinder patterns: An armbinder/hood/collar combo consisting of: A severe nose-only hood. *check* A strictly-laced tight-fitting armbinder (with a twist: make the hand opening so the model's fingers are free). *check* And finally, a tall posture collar to which the armbinder straps would connect to make it as clean-looking as possible. *check* And to top it all off: it would be nice if it could be made to fit Drea Morgan! Holy s***! Are you kidding me?
He wasn't kidding...
So the sketches began. Initially we were talking about making the collar attach to the hood. But I dissuaded Lew from going that route. When you connect a heavier leather component to a lighter thinner leather, you can have a problem at the seam.The open-handed innovation came completely from Lew. To me, a closed, fitted hand pocket is sexy as hell. I'm a fan of total enclosure, in case you haven't noticed. But the open-finger idea actually started to grow on me as the project progressed. It's one of those contrasting enclosure/exposure things that can add to the excitement of a piece. For me it's one of the coolest thing about working with others: finding new ways of looking at something or a new twist to enjoy.
The idea was to have a laced collar originally as well. But I was concerned that in the event that it had to be removed quickly, a staple plate may actually be quicker.